DEV D (modern version of immortal 'Devdas') brings out different flavors of romanticism with an out and out peculiar musical feel. Amit Trivedi (AAMIR) gets a second major project where he packs all existing and accepted style of genres in as much as 18 original soundtracks. Can DEV D be triumphant enough to swim against the tide? Will the experimental and uncharacteristic musical substance of DEV D be enough to make Amit Trivedi, a promising commodity in marquee? Do find this out... Elvis Presley meets 'desi band-baja'! Peculiar dark feel of desolated lover gets embroiled in 'black-comedy' humor where loud marriage band music makes interesting moves in 'Emosnal Atyachar (Brass Band Version'). Experimental to core, it brings Band Master Rangeela and Raseela with typical 'bhojpuri' lingo, emoting out tearful sentiments of modern 'Devdas' (DEV D). Amit Trivedi music is thematically apt while Amitabh Bhattacharya tries to add a tinge of hilarity with raw-finishing lyrical moves. Bonny Chakravarty comes behind the mike in its 'rock version' with similar haunting feel but this time its hard-rock maneuvers that rules the sentiments. It has typical 'death-rock' feel of 'Zahreeley' (ROCK ON) and like its first version; it is experimental as well as innovative than entertaining in its contents. Amit Trivedi showed his flair for folksy flair in tracks like 'Chakkar Ghumyo' (AAMIR) with an earthen touch and now he delivers out 'Duniya' with similar rustic feel. It comes like a quivering cum appalling showcase of intriguing world in simplistically penned wording and modest arrangements. 'Duniya' is presumed to be an engrossing situational background score where Amit Trivedi voice works well for simpleton sentiments. 'Nayan Tarse', a romantic smokescreen of varied emotions brings brighter side of Amit Trivedi singing with an upbeat electronic musical exhibit.
